As with all things, there is a large evolution of trend within design. During spring market in High Point, North Carolina, warmer palettes seen in Feizy’s Neela Indigo rug hearkened Bottega Venetta’s s/s 2016 women’s collection, representation of color theorists from the past shown in minimalist patterns were seen in the art piled in the Trowbridge showroom and artisana products with heavy texture from Roberta Schilling were my immediate obsessions.

Adding to this mix, architectural details played with voids and solids in the latest release from Michael Berman’s collection for Theodore Alexander. His simplification of form to promote function with stunning surface finishes were stellar…thank you, MB. What really showed well at market was the explosive Southwestern palette portrayed by Hickory Chair. Their rendition of this aesthetic was astounding, and coming from a native New Mexican, that is a strong statement of approval. The Museum of New Mexico facilitated colors and patterns within the product showing and not only collaborated with Hickory Chair, but also with Kravet, Inc.

The idea of increasing the worth of primitive textiles seemed to be the most sought after ideology. Think Taracea, the company utilizing reclaimed wood from central America. Their ability to hone natural resources and induce the consumer’s feeling of luxury comes close to being unmatched. But we cannot finish this article without addressing the belle of the ball. Announcing the takeover of Kate Spade. This luxury brand OWNED market this spring. From silver bow sconces for Visual Comfort to the playful owls within luxurious fabric prints used in lines such as Leathercraft and Burton James designed and developed with Kravet, Inc., one must include a piece or two within their space.

All in all, I would have to say design trends continue to be a time to play. Play with space, play with color and play with form.